I don’t think that people generally realise what motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups, all minorities, all non-whites. And people just simply don’t realise, just take it for granted that that’s the way people are going to be presented and these clichés are just, I mean on this network every night, well perhaps not every night, but you can see silly renditions of human behaviour, the leering Filipino houseboy, the wily Japanese, the kook or the gook, black man, stupid Indian. It just goes on and on and on. And people actually don’t realise how deeply people are injured by seeing themselves represented, not so much the adults, who are already inured to that kind of pain and pressure, but children. Indian children seeing Indians represented as savage, as ugly, as nasty, vicious, treacherous, drunken. They grow up only with a negative image of themselves and it lasts a lifetime.
Marlon Brando on why Sacheen Littlefeather presented a speech on his behalf during his Best Actor win for The Godfather at the 1973 Academy Awards
There is a great lecture on youtube [x] by stuart Hall about media and representation that talks about this.
And this is why I’m going back to grad school
"It is no surprise to me that hardly anyone tells the truth about how they feel. The smart ones keep themselves to themselves for good reason. Why would you want to tell anyone anything that’s dear to you? Even when you like them and want nothing more than to be closer than close to them? It’s so painful to be next to someone you feel strongly about and know you can’t say the things you want to."
Henry Rollins, Solipsist
"We all have the potential to fall in love a thousand times in our lifetime. It’s easy. The first girl I ever loved was someone I knew in sixth grade…The last girl I love will be someone I haven’t even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person who you love who becomes that definition. It usually happens retrospectively, but it always happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of those lovable qualities are self-destructive and unreasonable. You will remember having conversations with this person that never actually happened. You will recall sexual trysts with this person that never technically occurred. This is because the individual who embodies your personal definition of love does not really exist. The person is real, and the feelings are real—but you create the context. And context is everything."
Chuck Klosterman, Killing Yourself to Live: 85% of a True Story